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What Remains

Nicole Foreshew
Remain, 2015
Clay and iron oxide forms
Image by Jeremy Weihrauch

What Remains drew together the works of fourteen artists within the Murray Art Museum Albury Collection and included six works recently acquired by the Museum.

Central to the exhibition was a series of abstract sculptures by Wiradjuri artist Nicole Foreshew, titled Remain. The clay and iron oxide forms had been molded to express her deep connection to Ngurambanggu (Country) and kin.

This idea of connection to land and impacts on the land and its people were further expanded on in the work of First Nation artists Michael Riley, Karla Dickens, Kevin Gilbert, Treahna Hamm and Hayley Millar Baker.

A changing environment was further considered through the 19th Century work of Alfred William Eustace and more contemporary photographs by Chantelle Bourne and Jozef Vissel. While a set of works by artists Tim Silver, Amanda Williams, Ernst Fries, Patrick Hartigan and Cornelia Parker had erosion, aging, and change as central concerns.

Our collective impact on the land is becoming harder to ignore. What Remains reminded us to consider what legacy we wish to leave behind.

A silver boxing glove facing upwards adorned with leather laces and small bones hanging on the bottom
Karla Dickens

Pound-for-Pound #9, 2019
Mixed media
Image by Jeremy Weihrauch

A detailed painting of a green bush landscape with a creek running through the middle, the artwork sitting beneath a glass case
Alfred William Eustace

Landscape with creek, c.1870 - 1880
Oil on cardboard
Image by Jeremy Weihrauch

Nicole Foreshew

Remain, 2015
Clay and iron oxide
Image by Jeremy Weihrauch

Two black and white and one brown artwork hang on a white wall with a white plinth holding a cylindrical sculpture stands between them
What Remains

Installation view, 2022
From left Chantelle Bourne, Ernst Fries, Cornelia Parker
Image by Jeremy Weihrauch

What Remains

Installation view, 2022
All works Amanda Williams
Photo by Jeremy Weihrauch

A large earthy red coloured board with a blue painted square at the bottom left leans against a white wall and to the left a framed artwork of a white swan with a yellow and red background
What Remains

Installation view, 2022
From left Kevin Gilbert and Patrick Hartigan
Photo by Jeremy Weihrauch

Two metal sculptures shaped like underwear adorned with leather laces, rocks and a spiked metal ball hanging on a white wall
Karla Dickens

Warrior Woman VIII & XVII, 2017
Aluminum underwear, mixed media
Image by Jeremy Weihrauch